杨建设.陕北秧歌发展与中国社会文化变迁研究[J].北京体育大学学报,2012,35(3):32-37.
陕北秧歌发展与中国社会文化变迁研究
Study on the Development of Yangge in Northern Shaanxi Province and Social Cultural Changes in China
投稿时间:2011-05-27  
DOI:
中文关键词:  陕北秧歌  社会变迁  祭祀活动  体育手段
英文关键词:Yangge in northern Shaanxi province  the social changes  sacr ifice  a way of physical training
基金项目:2009年中国社会学年会体育社会学分会主题发言稿,并获一等奖
作者单位
杨建设 中国社会科学院社会学博士后流动站北京 100732 
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中文摘要:
      陕北秧歌在古代作为一种娱神祭祀活动,1935-1949年经过“鲁艺”人的改造,成为中国革命领导人和全国人民的一种新的娱乐手段,新中国成立后“鲁艺人”又在小场子秧 歌基础上把陕北秧歌改造成为舞台化的秧歌剧。随着中国改革开放实施,陕北秧歌作为新中国人民群众体育锻炼、健身、娱乐的一种手段,进入体育领域。试图探讨中国社会文化变迁影响着陕北秧歌发展变化,陕北秧歌发展演变也映衬出中国社会文化变迁。
英文摘要:
      Yangge in northern Shaanxi province, as aceremony to make sacrifices to the gods or ancestors in ancient time, became people’s new entertainment in People’s Republic of China which was remade by the scholars in Lu Xun Arts Acad emy between 1935 and 1949. After the foundation of People’s Republic of China, those scholars changed the performing place of Yangge from the country yard to the stage of theatre. Along with the reform and opening up of China, Yangge became a way of physical practice and entertainment of civil people in China and ente red the field of physical culture. This thesis is trying to explore the influence of Chinese social culture’s changes on the development of Yangge in northern Shaanxi province, on the other hand, the development of Yangge reflected the cha nges of Chinese social culture.
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